Vandrende Hjerte
Kirsten Kjærs Museum (DK), 2025
Vidunderlige Verden
Vidunderlige Verden 2025 Glass artwork. Variable dimensions. Permanent commission at three locations in a new children’s house in the former H.C. Andersen School in Odense, Denmark. Vidunderlige Verden gets its title from the Danish author Karin Michaëlis’ (1872–1950) autobiographical work of the same name. Michaëlis wrote for both children and adults and helped to change …
Regnormen
Regnormen 2025 Tikøb Dagtilbud, Helsingør Kommune A ten-meter-long bronze sculpture that also serves as a playful, interactive element – inviting visitors to sit on it, crawl over it, and explore the spaces beneath. Photos by I DO ART
Quiet Parade
Quiet Parade 23. May 2025 Performed at SMK – The National Gallery of Denmark Photos by Vincent Winther
Wait till you see my wrinkles
Wait till you see my wrinkles 2025 Photo 15 x 6 m, Displayed on the facade of Copenhagen Contemporary, Copenhagen, Denmark. Included in the group show HOMAGE TO OLDER WOMEN – an exhibition featuring 100 women artists from the Nordic Countries. Curated by Hanne Lise Thomsen and Lise Grüner Bertelsen. HOMAGE TO OLDER WOMENSociety is …
Loud Textile
Loud Textile 2025 Performance about the dark sides of textile production. Duration 20 min. Performed by Hannah Toticki, Mia Isabel og Mette Dam. For the Ny Carlsberg Foundation at the Folkemødet Bornholm. Photo: Klaus Bo
EVERYTHING, EVERYWHERE, ALL THE TIME
Solo exhibition at National Museum of Contemporary Art, Athens (GR), 2023
Reproductive dresses
Reproductive Dresses 2022 Excerpt from EVERYTHING EVERYWHERE ALL THE TIME: I understand as “reproductive” all the daily tasks that are necessary to keep us going, to sustain us. For example, childcare, domestic chores, responding to social obligations, etc. Unlike “productive tasks,” they are not part of the official economy, they are not paid, nor do …
Luggage
Luggage The pieces of luggage take inspiration from Toticki’s public commission at Uddannelsescenter Møgelkær.
Pause
Pause 2021 Anneberg Kulturpark, DK The sculpture also serves as a bench which, overlooking the fjord, invites passersby to pause, sit down, and take in the view.
RE:RE:RE:RE:RE:RE:RE
RE:RE:RE:RE:RE:RE:RE: 2021 Excerpt from EVERYTHING EVERYWHERE ALL THE TIME: “Assembly-line production, introduced during the industrial era, increased efficiency. Each worker would produce only a single component of the final object, optimizing the overall process. This monotonous, repetitive work is exhausting for the body and the mind. We encounter, in part, a contemporary version of the …
Sacred Work Fashion Collection
Sacred Work Fashion Collection 2016-2018 Sacred Work Fashion Collection is a series of 12 individual works. Excerpt from the exhibition catalogue EVERYTHING EVERYWHERE ALL THE TIME: Why do we work so much? One obvious answer is because we need money to cover our material needs. But that cannot be all. In today’s exhausting work culture, …
Luggage
Luggage 2020 Permanent installation for the Education Center Møgelkær, Denmark. Commission by Kriminalforsorgen (the correctional service) The installation features around 50 abstract interpretations of bags, purses, and baskets. At the Møgelkær Education Center, future prison officers are trained to engage with people from diverse, and often challenging, backgrounds and life stories. They also learn to …
Mountain come to me
Mountain come to me 2020 Excerpt from EVERYTHING EVERYWHERE ALL THE TIME: This work is a sculptural costume. What clothes would a superhero wear if they transformed from human to stone? The title – the call for the mountain to come to the human — is impossible and ambiguous: it could be read as a …
From water we came
From water we came Various textiles, neoprene, PVC, steel, colored MDF 220 cm x 185 cm x 45 cm2020
Focus Wear
Focus Wear Various textiles, steel180 cm x 50 cm x 45 cm 170 cm x 55 cm x 45 cm2020 Photos by Bernhard Strauss
Digital Embrace
Digital Embrace Wool, computer keys, steel, colored MDF, resin200 x 240 cm2020 Photos by Paul Kuimet
Modern Love (or Love in the Age of Cold Intimacies)
Museum of Contemporary Art in Freiburg (DE), 2020
Framing Presence
Framing Presence Interactive sculptureValchromat, plexiglas, steel wire185 cm x 185 cm x 48 cm2020 Photos by Paul Kuimet
Touch Screen Protection Rings
Touch Screen Protection Rings Silver, gold-plated silver, painted wood 28 cm x 11 cm x 7 cm 2019 Photos by Bernhard Strauss
Smartphone Protection Glasses
Smartphone Protection Glasses Modified glasses, plexiglas, paint15 cm x 15 cm x 8 cm 2019 Photos by Paul Kuimet
Insects
Insects 2019 Excerpt from EVERYTHING EVERYWHERE ALL THE TIME: This series of sculptures is inspired by insects that are extinct or in danger of disappearing. The titles refer to the Latin names of the species. The sculptures are monuments to the small and often overlooked species around us. Some are hybrids of human and insect …
Celebrating Production, Producing Celebration
Celebrating production, Producing Celebration Wood, scissors, paper strips, net, foam, fabric, paint, confetti300 cm x 200 cm x 150 cm 2018
Work Flow/Flood
Work Flow/Flood Painted wood, plywood, linoleum floor, modified ring binder 230 cm x 200 cm x 560 cm2018
A Walk in the Park
A Walk in the Park 2018 Excerpt from EVERYTHING EVERYWHERE ALL THE TIME: “A circle of grass: it is the recreational activity of walking, in its most minimal form. It provides a controlled setting for physical exercise to facilitate a swift return to work. Body control is an important part of today’s work culture. In …
Office Shore
Office Shore 2018 Excerpt from EVERYTHING EVERYWHERE ALL THE TIME: It’s a hybrid between beach and office equipment. As in many of my works, the human-made environment co-exists with the so-called natural environment. The tall chairs are absurd, useless in their fragile balance; anyone using them would be putting themselves in grave danger. Contemporary work …
Chew
Chew Steel, wool, furniture foam, painted wood, buckets, approximately 8000 pieces of chewing gum2018
Sacred Work Fashion Collection
Solo exhibition at Riga International Biennial of Contemporary Art (LV), 2018
